Here’s one for the Coen’s latest, Burn After Reading:
Amazing cast, right? Plus Pitt looks pretty hilarious.
This next one’s for the new Kevin Smith project. I normally wouldn’t be too excited, but he’s got Seth Rogen in the lead:
Let’s hope Smith redeems himself with this one.
Here are my predictions for Sunday’s Oscars, along with a few alternates in each category plus some general thoughts. I’ve refrained from posting any predictions for the Best Foreign Film category because of how wildly unpredictable it is. Amelie lost, Pan’s Labyrinth lost, and the 3 frontrunners this year weren’t even nominated. Everyone, even the academy, is confused about it. But without further ado, here are my Oscar predictions:
Best Picture:
1) No Country for Old Men
2) There Will Be Blood
3) Juno
–No Country’s definitely the frontrunner, but still, something doesn’t feel right. I hope Blood will make an upset, but it’s pretty unlikely, especially considering it took in the smallest amount at the box office. Juno and Michael Clayton also have a shot, but Atonement is completely out of the running.
Best Director:
1) Joel & Ethan Coen – No Country for Old Men
2) Julian Schnabel – The Diving Bell and the Butterfly
3) Paul Thomas Anderson – There Will Be Blood
–Here I’d love to see Julian Schnabel win. He won the Golden Globe and he’s got a decent chance at the Oscar, but the Coens are still my pick. PTA has a shot, but I highly doubt he wins it. The other nominees, Jason Reitman for Juno and Tony Gilroy for Michael Clayton, don’t have a chance.
Best Female Actor:
1) Julie Christie – Away From Her
2) Marion Cotillard – La Vie En Rose
3) Ellen Page – Juno
–Though I’m rooting for Marion Cotillard, I’m fairly certain this is Christie’s year. She’s the clear frontrunner (she’s won most of the major awards, including the Golden Globe and the Screen Actors Guild Award). Ellen Page is in the race, but Cate Blanchett and Laura Linney are out.
Best Male Actor:
1) Daniel Day-Lewis – There Will Be Blood
-If anybody else wins something’s seriously fucked up. All the other nominees are telling the academy to vote for him, he’s won every possible award up to this point, he’s been very humble during his acceptance speeches and his few interviews, and of course his performance was freaking incredible.
Best Original Screenplay:
1) Diablo Cody – Juno
2) Tony Gilroy – Michael Clayton
-This should easily go to Diablo Cody. The other nominated films (except for Michael Clayton)- Ratatouille, The Savages, and Lars and the Real Girl– have little to no chance.
Best Adapted Screenplay:
1) Joel & Ethan Coen – No Country for Old Men
2) Paul Thomas Anderson – There Will Be Blood
3) Ronald Harwood – The Diving Bell and the Butterfly
-This will be a battle between PTA and the Coens. I’m predicting the Coens to win, but I really think it should go to PTA for There Will Be Blood. We’ll see.
Best Female Supporting Actor:
-This one’s wide open. All 5 nominees have a good chance. Blanchett won the Globe, Rudy Dee won the SAG, Tilda Swinton won the BAFTA, and Amy Ryan won most of the the critics awards. It’s basically a toss-up, but here are my guesses:
1) Cate Blanchett – I’m Not There
2) Tilda Swinton – Michael Clayton
3) Amy Ryan/Ruby Dee/Saoirse Ronan
Best Male Supporting Actor:
1) Javier Bardem – No Country for Old Men
-I’d put all my money on Bardem.
Best Original Score:
1) Dario Marianelli – Atonement
-The scores for Ratatouille, The Kite Runner, and Yuma could win, but I think this rightfully goes to Atonement. It was an incredible score and I’d be pretty surprised to see it not win.
Best Animated Feature:
1) Ratatouille
2) Persepolis
-Ratatouille’s all over this one. Persepolis could upset, but it’s not likely. 3rd nominee Surf’s Up is lucky it was even nominated.
Best Cinematography:
1) Robert Elswit – There Will Be Blood
2) Roger Deakins – The Assassination of Jesse James/No Country for Old Men
–There Will Be Blood will most likely take this one due to double nominee Roger Deakins splitting the vote. Otherwise, I’d say Jesse James, which probably deserves the award more. It was a pretty incredible year for cinematography, so anything could upset.
Best Documentary:
1) Sicko
-Michael Moore won for Bowling for Columbine and would’ve won for Fahrenheit 9/11 had it been eligible, and since Sicko is just as praised and popular but slightly less controversial, I’d say it’s a lock.
And there we are, predictions in the 12 major categories. I’m actually hoping that my predictions turn out to be almost completely wrong other than the male acting awards, since I’m rooting for an underdog in almost every category.
Remember, the Oscars are this Sunday, the 22nd.
Written and Directed by Tony Gilroy. Stars George Clooney, Tilda Swinton, Tom Wilkinson, and Sydney Pollack.
Michael Clayton is the new legal thriller which scored seven Oscar nominations including Best Picture.
Michael Clayton is introduced as a “fixer.” In the opening scene he gets a call regarding a client’s car accident, and he is dispatched to the house to “clean up” the mess. He does the “dirty work” for his law firm, getting cases to lean their way. Clayton gets thrown into a legal mess involving a massive law firm, an insane litigator (played by Tom Wilkinson), and the lead counsel for some kind of corporate entity (played by Tilda Swinton). Hilarity ensues.
The performances by Tilda Swinton and Tom Wilkinson are pitch-perfect. George Clooney, on the other hand, gets too much credit for playing George Clooney. He’s spot on as Michael Clayton, but he’s starting to go down that same road as actors such as Denzel Washington, who repeatedly play similar characters and give familiar performances. All I’m saying is that I strongly disagree with Clooney’s Oscar nomination and the constant praise he’s been getting for this performance. He’s perfectly cast (and he is a great actor), but the real praise should be going towards the supporting roles, who really out-shine him.
While most legal dramas tend to feel and look, at least to me, pretty bland, cinematographer Robert Elswit, who’s responsible for the beautiful photography on films such as Punch-Drunk Love and Good Night, and Good Luck, gives Michael Clayton a nice, slick look. Also, kudos go to writer/director Tony Gilroy for writing a smart and original script that, despite a few glaring plot holes, puts a nice spin on a dying genre. It all leads to an incredibly well-acted, well-written climactic confrontation that makes the monotony during some of the film’s second half worth the wait.
7.5/10
Michael Clayton will be released on DVD February 19th (this Tuesday).
Here’s the trailer for Michael Clayton:
Flying high after the huge success of No Country for Old Men, the Coen brothers, who have also written and directed films such as Fargo, Raising Arizona, and The Big Lebowski, have 4, yes FOUR, new films on the way.
First we’ll get Burn After Reading, which the duo has already completed. It’ll be released this September and stars Brad Pitt, George Clooney, and John Malkovich. In Burn After Reading, Malkovich will play an ousted CIA official whose memoirs accidentally fall into the hands of two unwise D.C. gym employees (Pitt & Clooney) who intend to exploit their find.
In 2009, the Coens will release A Serious Man, which is said to be a dark comedy about a Jewish college professor. A Serious Man will be set in 1960’s Minnesota.
In 2010, the literary adaptation The Yiddish Policeman’s Union will be released. This will be the 4th film adaptation of a Michael Chabon novel. The premise is as follows:
“Set in an alternate America where Jews have taken refuge in an Alaskan district after the collapse of Israel in 1948, The Yiddish Policemen’s Union is a noir which follows detective Meyer Landsman as he attempts solving a murder, untangling a conspiracy, and generally reassembling his shambled life.”
THEN, after all that, we’ll get yet another Coen brothers film in 2011, assuming all goes to plan. This one’s untitled as of now, but the Coens have released this statement regarding the project:
“We’ve written a western with a lot of violence in it. There’s scalping and hanging … it’s good. Indians torturing people with ants, cutting their eyelids off. It’s a proper western, a real western, set in the 1870s. It’s got a scene that no one will ever forget because of one particular chicken.”
Some sources are reporting the project to be a “spaghetti western,” however this is of course false, as a true spaghetti western must be produced by an Italian studio.
In addition to the 4 films listed above, the Coen brothers also have two projects “on the backburner.” They are Hail Caesar, which is a comedy about a 1920’s theatrical troupe’s attempt to stage Julius Caesar, and an adaptation of James Dickey’s novel To the White Sea. No word on when, or if, these films will ever be completed, but here’s hoping for releases in 2012 and 2013, just after the Coen’s western.
The Coen brothers have always been prolific, but this is pretty extaordinary, especially considering the Coens write all their screenplays. Personally, I’m most excited for the upcoming western, but all 4 projects sound pretty wonderful.
Owl Pellets 